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Opis

Work in Sonarworks, use of analog equipment and presentation of unreleased track.

In the last part of our course, ReOrder uses Sonarworks, mentions thread of unfinished projects, using the hardwares / analog tools, reverb effect, plays his unreleased track; group photo and outro of Masterclass 2.  

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Tibor talks about vocal parts, creating built-up and leads.

In this part Tibor continues to talk about vocals, using his remix of “Concrete Angel” (by Gareth Emery) as example, about creating sound effects to build-ups (fe. with using Sylenth 1), how to create a proper saw, tells about correct layering leads and about Sonarworks.  

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Creating a kick and a bassline.

ReOrder continues to talk about creating the right kick and bassline, how to compose bass correctly, how to have fun with constructing, how to create psy-trance bassline, how properly fit vocals in project.  

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Theory of trance music and work in the DAW Sequencer.

In this part Tibor introduces listeners to the threads of his presentation; explains what is trance genre, how to deal mentally with music prodduction, how to transform ideas into projects; tells about DAWs and which one is the best for producers; about basic but important tips for producers and how to make a drop of […]

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Episode #2

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Episode #1

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Huius ego nunc auctoritatem sequens idem faciam. Itaque hic ipse iam pridem est reiectus; Duo Reges: constructio interrete. Qui-vere falsone, quaerere mittimus-dicitur oculis se privasse; Certe non potest. Atqui reperies, inquit, in hoc quidem pertinacem; Quae sunt igitur communia vobis cum antiquis, iis sic utamur quasi concessis; […]

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Introduction

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Huius ego nunc auctoritatem sequens idem faciam. Itaque hic ipse iam pridem est reiectus; Duo Reges: constructio interrete. Qui-vere falsone, quaerere mittimus-dicitur oculis se privasse; Certe non potest. Atqui reperies, inquit, in hoc quidem pertinacem; Quae sunt igitur communia vobis cum antiquis, iis sic utamur quasi concessis; […]

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